painting (Page 2)
While visual arts and linguistics are both creative fields, skill with one isn’t necessarily a prerequisite for the other. After all, as long as you can look at three hues and pick the one best suited for the picture you’re painting, it doesn’t really matter if you know whether to call it fuchsia or periwinkle.
As a matter of fact, some would argue that coupling names and colors limits the imaginations of budding young artists, which is why these two Japanese designers have produced a set of paints for children that have no names on their labels, only splotches of their base component colors.
Japan has a fascinating art history. From early cord designs on clay vessels in the Jomon period (c. 11000–c. 300 BC) through to picture scrolls, ukiyo-e woodblock prints, and the distinctive style of animation that exists today, people in Japan have always found unique ways to capture the world around them for the rest of the world to see.
One little-known art technique from the 1800s is now making a comeback, and while its roots are firmly planted in Japan’s traditional history, it’s a method of printing that people all around the world can enjoy. All you need is paper, some paint and a nice-looking fish.
“Red” Hong Yi is a Malaysian artist-architect who creates brilliant and unconventional works of art. Known as “the artist who loves to paint, but not with a paintbrush,” she uses mascara, foundation, and other cosmetics to give rise to misty mountainsides, vibrant fire crackers, and shimmering ponds.
I’ve never been able to see those “magic eye” pictures. No matter how many times people tell me to “unfocus” or “relax” my eyes, I still find myself staring at a mass of dots, demanding to know (because, like a petulant child, I absolutely hate not being in on secrets) what I’m supposed to be looking at. So when I first caught this video, which shows an unnamed artist slapping white paint onto an all-black canvas on a beach in China, I assumed that it was just my noggin letting me down again when I couldn’t make out what the picture was supposed to be.
Until, that is, I reached the very end of the video and all suddenly became clear.
We’re all talented in ways that others aren’t; some of us are born artists, while some can barely draw anything more complex than a stick man. It seems that would be the case with elephants too. It is said that in every 200 elephants trained to paint, only about four manage to master the skill.
Of course, in the case of elephants, painting is skill they are trained to remember, not an inborn talent. Even with that said, some of the drawings they make are so impressive, we can’t help but wonder if some natural talent is involved!
Hisashi Fukushima, a 44-year-old man from Hidaka City, was born with a serious learning impediment, but this handicap has in no way gotten the better of him. This truly gifted individual is an awe-inspiring artist with an unbridled passion for the beauty of the railway system. Fukushima’s photographic memory and steady hands have allowed him to recreate many life-like scenes of trains upon their tracks in paintings as well as paper craft. His faithful renditions of Japan’s railways have earned him a number of prizes in art exhibitions, and one glance at his work makes it obvious why! Keep reading for a sample of Hisashi Fukushima’s stellar art portfolio.







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