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One filmmaker’s mission to show the world the real Fukushima, and how you can help

“Forget the reactor. Forget all the bull$#!^ Facebook posts about how radiation is melting the starfish and mutating our sushi. Forget about what it means to be a disaster, and discover what it means to be Fukushima.”

Filmmaker Cameron Anderson is on a mission to show the world the real Fukushima. Having spend months exploring the region, he – an outsider arriving long after Fukushima became known the world over as the centre of a tragic nuclear accident – has come to learn what Japan’s third-largest prefecture is really all about. Cameron has also seen how the news, careless comments shared via social networks, and a general fear of the unknown have caused people around the globe to label this land as a giant, black spot on the map of Japan, with stories popping up online every few weeks about tides of non-existent radioactive seawater and the prefecture’s potentially hazardous exports.

Hoping to obtain a special filmmaking grant, it is Cameron’s plan to put together a 10-minute documentary that explores this vast, rich part of Japan and introduce some of its genuinely remarkable residents–both Japanese and foreign. But he needs your help.

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Spider-Man director to reboot horror flick The Grudge

You’ve probably read that a new Ju-On: The Grudge movie is coming to Japanese cinemas in June this year, but did you know that a new Western reboot of 2004’s The Grudge is also currently in the works?

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New Ju-on/The Grudge horror Film’s teaser streamed

The first teaser trailer for the Ju-on: Owari no Hajimari (The Grudge: Beginning of the End) horror film began streaming on Saturday.

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Hafu: Telling the story of Japan’s mixed-race minority and changing attitudes in society【Q&A】

For such a small word, “half” carries an awful lot of weight here in Japan. Adapted to fit the syllabary, the word is pronounced “hafu” in Japanese, and describes a person who has one Japanese – and of course one non-Japanese – parent. More often than not, the word carries certain connotations, and many Japanese have preconceived, often erroneous, notions that hafus have natural English ability, have spent time abroad, and possess many of the physical characteristics Japanese associate with Westerners. At the same time, the word is immediately indicative of something very un-Japanese, and many hafu – even those who have never set foot outside of Japan and speak no other language – are never truly accepted by society as a result.

The Hafu Project was begun in 2009 as an initiative aiming to promote awareness of racial diversity in Japan and the issues facing those of mixed heritage. It was after becoming involved with the project that two filmmakers, Megumi Nishikura and Lara Perez Takagi, began a collaborative work that would eventually become a full-length feature film titled, simply, Hafu.

Three years in the making, Hafu was completed in April this year, and has been screened at independent cinemas everywhere from Madrid to Tokyo. After checking out the film for ourselves when it came to Shibuya recently, RocketNews24 talked with Megumi and Lara to learn a little more about the making of the film and how in their opinion attitudes in Japan are evolving.

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The dubbed Blu-ray version of recent hollywood smash The Avengers hasn’t even made it into stores yet, but Japanese film fans are already writing it off as junk.

Despite the Japanese releases of previous superhero movies – The Incredible Hulk, Iron Man and Thor included – being voiced by professional, suitably cast voice actors, the dubbed version of The Avengers in cinemas featured none of the same voices, despite the movie being based around the premise of bringing these much-loved heroes together in one spot.

Movie buffs had hoped that Disney Japan, the company behind the Japanese Blu-ray release, would reinstate the original super heroes’ Japanese counterparts for the home release, but it has become clear that those wishing to enjoy the action movie without subtitles will have to put up with the same subpar voice acting that was shoehorned into the cinema release.

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