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Studio Ghibli (Page 39)

Fan offers theory that Ghibli’s Tombo grew up to be another beloved children’s character

While the settings of Studio Ghilbi’s anime are filled with whimsy and fantasy, their characters can at times seem remarkably real. Even if you’ve never found a forest serviced by a network of Cat Buses, for example, the emotions that Totoro’s Mei and Satsuki deal with feel so genuine that you can’t help but think of them as real people who’ll eventually grew up and continue their lives long after the movie ends.

The same goes for the cast of Kiki’s Delivery Service. But while it’s easy to imagine titular witch Kiki continuing to work in the magical courier industry throughout her adulthood, what about her friend, Tombo? One fan recently offered his theory on what the future holds for the bespectacled lad.

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Tokyo Prince Hotel delivers a hint of magic with Kiki’s Delivery Service suite and bakery

Halloween is still more than a month away, but Tokyo’s witch population has gone up by one with the DVD and Blu-ray release of the live-action Kiki’s Delivery Service. To celebrate, the Tokyo Prince Hotel is delivering a double dose of tie-ins with the main character of Eiko Kadono’s novel series and Hayao Miyazaki’s anime, in the form of a bakery selling Kiki-themed treats and a hotel suite decorated with props used by the actors in the film.

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Ghibli’s new Princess Kaguya trailer previews English dub

Apple’s iTunes service released a trailer for the English dub of Studio Ghibli and Isao Takahata‘s The Tale of the Princess Kaguya on Monday.

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Is Studio Ghibli laying off part of its staff? Director Mamoru Oshii drills Ghibli’s Toshio Suzuki

On September 11, director Mamoru Oshii of Ghost in the Shell fame questioned Toshio Suzuki, general manager and long-time producer of Studio Ghibli films, in regards to the future of the beloved animation studio. Mr. Suzuki’s comments over the last month or so have been ambiguously vague, to the frustration of anxious fans everywhere. However, this latest exchange seems to have at least produced a new detail in the future of company, as Mr. Suzuki all but confirmed that the studio will be undergoing some restructuring, regardless of the future of its production division.

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With Japan’s relatively lenient attitudes towards sex and violence in cartoons, you might get the impression that the whole society has come to a consensus that anime artists can draw whatever they like. That’s not always the case, though, and in recent years a string of crimes committed by individuals with an obsessive love for animation and comics has rekindled the debate about how much, if any, legal control should be placed on anime content.

It’s no shock that a former manga artist and adult video director has spoken out in opposition to such regulation. What is surprising, though, is his pick for the creator of the most detrimental anime: Studio Ghibli co-founder Hayao Miyazaki.

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Studio Ghibli is not Studio Goro – Hayao Miyazaki’s son denies being his father’s successor

Studio Ghibli seems to be spiraling into a pretty deep identity crisis, with producer Toshio Suzuki murmuring about closing up shop. The question seems to be, can the studio continue making movies at an almost yearly pace, while delivering the quality that’s become as much of a Ghibli trademark as its Totoro silhouette, without a leading visionary like the now-retired Hayao Miyazaki?

Some anime fans had hoped that Hiromasa Yonebayashi, director of 2010’s The Secret World of Arrietty, would fill that role, but his second project. When Marnie Was There, hasn’t universally enchanted audiences during its theatrical release. So if Yonebayashi isn’t the next Miyazaki, then who is?

Definitely not the legendary Hayao’s own son, Goro, and by the younger Miyazaki’s own admission, no less.

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From Ponyo to Italy: Four delicious ways to improve instant ramen while your water’s boiling

August 25 is Instant Ramen Day in Japan, in commemoration of the day back in 1958 when Nissin unveiled Chicken Ramen, the very first instant version of the country’s favorite noodle dish. In celebration, we were going to chow down on some instant ramen, but since we do that all the time anyway, somehow a bowl of plain ramen didn’t seem quite special enough.

So instead, we drew on our love of anime, world travel, and the simple joy of not sweating profusely to come up with four recipes to spruce up instant ramen, specially tailored to be simple enough for anyone whose cooking skills mean their home is always well-stocked with the stuff.

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As veteran anime producer Toshio Suzuki continues to dance back and forth over the vague linguistic line of whether or not Studio Ghibli is getting out of the movie-making business, some distraught admirers can already see the vultures circling overhead. If this is the end of the line for Japan’s most revered animation house, it’s a sad day, but at least the format of Ghibli’s releases means there aren’t many loose narrative threads left dangling.

With the exception of 1993’s Ocean Waves, Ghibli’s commercial releases have all been theatrical features, most of which have a definite beginning, middle, and end. For the most part, the studio doesn’t really do sequels, since their films’ endings are just conclusive enough to satisfy fans while still leaving enough unanswered for them to comfortably mull over.

There is one big exception to this pattern, though, which is Hayao Miyazaki’s Nausicaa of the Valley of the Wind. For decades fans have been hoping for a continuation, and recent remarks by Suzuki are adding more credibility to rumors that such a project could be directed by Evangelion’s Hideaki Anno.

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Hayao Miyazaki to receive honorary lifetime achievement Oscar

It’s been over a year since the Japanese release of anime legend Hayao Miyazaki’s last film, The Wind Rises. A highly personal film which serves as a powerful closing statement to his storied career, many had hoped it would win Miyazaki his second Oscar, only for the nod in the Best Animated Feature category go to Disney’s juggernaut (and endorser of traditional Japanese cuisine) Frozen.

That doesn’t mean the Academy of Motion Picture Arts and Sciences has no love for Miyazaki, though, as it’ll soon be bestowing an honorary lifetime achievement award upon him.

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Toronto Film Festival to host North American premiere of Princess Kaguya, Ghibli documentary

The Toronto International Film Festival (TIFF) will host the North American premiere Isao Takahata‘s The Tale of the Princess Kaguya and director Mami Sunada’s The Kingdom Of Dreams And Madness documentary about Studio Ghibli next month. Princess Kaguya will premiere with English subtitles on September 5 with Takahata present for the screening. The Kingdom Of Dreams And Madness will premiere on Monday, September 8.

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Ghibli’s The Tale of Princess Kaguya gets a North American release date and new trailer 【Video】

With Hayao Miyazaki being the most recognized face of Studio Ghibli, and producer Toshio Suzuki the most currently active, there’s usually not a lot of room left in the spotlight for director Isao Takahata. One of Ghibli’s founding members, Takahata served as producer for the company’s first official release, Castle in the Sky, and his written and directed five films for Japan’s most respected animation house including the critically acclaimed Grave of the Fireflies.

Fans of Takahata’s work have learned to be patient, though, as his most recent film, 2013’s The Tale of Princess Kaguya, came 14 years after his previous feature, 1999’s largely forgotten My Neighbors the Yamadas. Foreign fans have had to wait even longer, but Princess Kaguya is almost ready to head overseas, as distributor GKids has announced a release date and put out a teaser trailer to whet North America’s appetite.

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Even though anime legend Hayao Miyazaki has been a household name in Japan for decades, his films are still a recent discovery for many foreign viewers. A common question from an enthusiastic newly formed Ghibli fan is to ask, “Which Miyazaki film should I show my friends and family to make them understand how amazing they are?”

It’s a tricky question to answer. For example, My Neighbor Totoro and Princess Mononoke are both incredible films that can evoke emotional responses far beyond what many adults expect from animation. The feelings the films stir, and the ways in which they do so, are extremely different though. It’s hard enough to pick one from just those two, let alone the 11 feature films for which Miyazaki served as director.

So perhaps the best plan isn’t to show the person you’re trying to convert one Miyazaki movie, but all of them, and thanks to one fan’s compilation video, it’ll only take nine minutes.

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Pencils, watermelons, and talks with anime legends – All part of the hiring process at Ghibli

They do things a little differently at Studio Ghibli. Given the feast or famine realities of life in the anime industry, many production houses take on as many projects as they can, but part of the philosophy behind Ghibli’s founding was that if the staff felt like making something, they would, and if they didn’t, they wouldn’t. That’s not to say Ghibli’s animators don’t give maximum effort though, which the higher-ups recognize and reward with weekly massages on Saturdays.

Ghibli’s uniqueness isn’t limited to its artistic ideologies and rub-down policies, though. Its interview process for new animators is pretty unorthodox, too, with applicants being asked to complete such tasks as sharpening pencils and slicing up watermelons.

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Producer clarifies Studio Ghibli’s future, mentions that Miyazaki “would like to make an anime”

In a recent discussion about the future of the Studio Ghibli’s production division, veteran producer Toshio Suzuki recently shocked and confused anime fans worldwide. But hey, what do you expect when you’re talking about the most respected studio in the history of anime, and you bandy about talk of “dismantling,” “restructuring,” and “taking a temporary hiatus,” despite the very different implications each of those entails.

With so many people looking for clarification, Suzuki recently appeared on Japanese television to talk a little more about where Studio Ghibli is going from here, plus to tease and entice the audience with talk of legendary director Hayao Miyazaki’s potential next anime project.

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Fans of anime house Studio Ghibli have been on a bit of an emotional roller coaster for the past few weeks. First came the dizzying high that always accompanies a new Ghibli release, in this case director Hiromasa Yonebayashi’s When Marnie Was There. Then came the vague yet nevertheless alarming comments from long-time producer Toshio Suzuki, who reflected on the merits of Ghibli “dismantling,” “restructuring,” or “reconstructing” its anime production department.

This was followed almost immediately by reports that Japanese online media company Dwango was set to purchase and absorb Studio Ghibli into its corporate body. Those rumors have now been quashed, though, and by what seems to be a fairly reliable source: Dwango’s chairman himself.

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The awesome costumed fans of Nagoya’s World Cosplay Summit 【Photos】

With schools in both Japan and abroad on summer vacation, we’re right in the prime seasons for pop culture events like San Diego Comic-Con and Chiba Prefecture’s Wonder Festival. We recently attended both, snapping pictures of all the cool cosplay costumes, but the hobby’s most prestigious gathering was yet to come.

Last weekend the 2014 World Cosplay Summit was held in the city of Nagoya. Our own cosplay efforts aren’t quite competition-level, but that didn’t mean we couldn’t enjoy all the awesome costumes that were, so we grabbed our camera and hopped on the Shinkansen.

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Just a few weeks ago, When Marnie Was There, the newest anime movie from Studio Ghibli, hit Japanese theatres. Marnie is actually the second Ghibli release since legendary director Hayao Miyazaki retired from the company, but the first with a general, mainstream target market, as 2013’s The Tale of Princess Kaguya was a much more experimental, avant-garde film in visual style and tone.

Just as Miyazaki has stepped away from feature films, Ghibli producer and co-founder Toshio Suzuki is easing into retirement, and so many anime fans have been watching Marnie while looking for clues as to where Ghibli’s films would be going from here. Judging from statements made by Suzuki, though, the better question isn’t what kind of movies Ghibli will be making in the future, but whether the studio will be making any at all, as he feels that maybe it’s time for the Ghibli production team to close up shop.

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Artist paints Totoro, classic Japanese artwork, and more, all on pregnant women’s stomachs

In Japan, there’s a long, proud tradition of drunken men drawing faces on their bellies, then contorting in order to make them appear to talk or sing. Wait, did we say proud? We mean embarrassing.

This doesn’t mean all abdominal art is automatically silly and repulsive however, as one artist is helping enhance the radiance of pregnancy by painting beautiful works of art on the stomachs of mothers-to-be.

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Tokyo museum offers beautiful exhibit showcasing the architecture of Studio Ghibli

Though there are obviously numerous anime studios in Japan, there is no doubt that Studio Ghibli is among–if not the most–legendary of them all. With tons of famed, beloved, and critically acclaimed films, there’s no doubt that the influence Ghibli has had on the world is massive. Even if you’re not a particularly big fan of their stories, who could deny that the worlds they create are simply stunning? Wouldn’t it be amazing to see those buildings brought to life and given physical form? We certainly wish we could at least get a ride inside the cat bus.

Though this new exhibition at the Edo-Tokyo Tatemono-en, or called the Edo-Tokyo Open Air Architectural Museum in English, does not quite provide full-size replicas of Ghibli architecture, it does give us an excellent concept of what some of our favorite buildings would like in the real world.

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The principal characters of Studio Ghibli’s Laputa: Castle in the Sky are all seeking something. Protagonists Sheeta and Pazu, as well as the villainous Muska, are looking for the titular floating castle, but what they’re really after is a peaceful resolution to a dark heritage, adventure and purpose, and the power to rule the world, respectively.

These days, fans of the 1986 anime film have a search of their own, as the voice-activated Laputa pendant that just went on sale this month is already sold out nationwide.

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