Legendary anime director Hayao Miyazaki is in Los Angeles right now, as he’s making a rare trip to the U.S. to receive a lifetime achievement award from the Academy of Motion Picture Arts and Sciences. While we’re sure plenty of fans are excited to see Japanese animation’s most respected figure receive such a prestigious honor, there’s something else for them to be happier about: Miyazaki’s statement that he’s not even close to done making anime.
Hayao Miyazaki (Page 33)
Totoro may be Studio Ghibli’s most iconic roly-poly creation, but he’s not the only corpulent character from Hayao Miyazaki’s animation house. 1992’s Porco Rosso stars Porco, a heavyset seaplane aviator in 1920s Italy who happens to have the head (and build) of a pig.
But while Porco may not have typical leading man looks, he exudes a dashing, gallant aura, which extends to his cool old-school cool shades. If you’d like to copy his style without duplicating his physique, you’re in luck, as you can now buy official Porco Rosso sunglasses.
If the whole point of buying an anime box set is to have everything you want in one neat package, there must have been a lot of upset fans last summer when Studio Ghibli released the Directorial Works of Hayao Miyazaki. Sure it contained every theatrical feature the anime legend helmed while working for the industry’s most respected production house, but it was missing the Miyazaki-directed music video On Your Mark, which was pulled following the arrest of musician Aska, one of the song’s vocalists.
Three months after the box set went on sale, though, there’s good news for completionists, as Studio Ghibli itself has decided to distribute copies of the video, free of charge, to anyone who purchased the collection.
Although he increasingly dealt with heavy themes and narratives as his career went on, legendary anime director Hayao Miyazaki’s My Neighbor Totoro is a film of almost non-stop good vibes, with scene after scene filled with childlike whimsy, wonder, and joy. Wouldn’t it be nice to take a break from the worries of the workaday world and live inside the 1988 classic for a day?
Of course, if we’re talking animated flights of fancy, why stop at being just any character in the movie, when instead you can become Totoro himself with this lineup of Totoro apparel.
While the settings of Studio Ghilbi’s anime are filled with whimsy and fantasy, their characters can at times seem remarkably real. Even if you’ve never found a forest serviced by a network of Cat Buses, for example, the emotions that Totoro’s Mei and Satsuki deal with feel so genuine that you can’t help but think of them as real people who’ll eventually grew up and continue their lives long after the movie ends.
The same goes for the cast of Kiki’s Delivery Service. But while it’s easy to imagine titular witch Kiki continuing to work in the magical courier industry throughout her adulthood, what about her friend, Tombo? One fan recently offered his theory on what the future holds for the bespectacled lad.
Halloween is still more than a month away, but Tokyo’s witch population has gone up by one with the DVD and Blu-ray release of the live-action Kiki’s Delivery Service. To celebrate, the Tokyo Prince Hotel is delivering a double dose of tie-ins with the main character of Eiko Kadono’s novel series and Hayao Miyazaki’s anime, in the form of a bakery selling Kiki-themed treats and a hotel suite decorated with props used by the actors in the film.
The Asia-Pacific Journal‘s Asato Ikeda recently transcribed an illuminating interview with famed director Hayao Miyazaki originally printed in Studio Ghibli‘s monthly Neppu magazine.
In it, Miyazaki delves deep into his life, talking about his childhood thoughts on war, his feelings on Japan and its warpolicies,his father, current politics, and the Abe administration.
With Japan’s relatively lenient attitudes towards sex and violence in cartoons, you might get the impression that the whole society has come to a consensus that anime artists can draw whatever they like. That’s not always the case, though, and in recent years a string of crimes committed by individuals with an obsessive love for animation and comics has rekindled the debate about how much, if any, legal control should be placed on anime content.
It’s no shock that a former manga artist and adult video director has spoken out in opposition to such regulation. What is surprising, though, is his pick for the creator of the most detrimental anime: Studio Ghibli co-founder Hayao Miyazaki.
Studio Ghibli seems to be spiraling into a pretty deep identity crisis, with producer Toshio Suzuki murmuring about closing up shop. The question seems to be, can the studio continue making movies at an almost yearly pace, while delivering the quality that’s become as much of a Ghibli trademark as its Totoro silhouette, without a leading visionary like the now-retired Hayao Miyazaki?
Some anime fans had hoped that Hiromasa Yonebayashi, director of 2010’s The Secret World of Arrietty, would fill that role, but his second project. When Marnie Was There, hasn’t universally enchanted audiences during its theatrical release. So if Yonebayashi isn’t the next Miyazaki, then who is?
Definitely not the legendary Hayao’s own son, Goro, and by the younger Miyazaki’s own admission, no less.
August 25 is Instant Ramen Day in Japan, in commemoration of the day back in 1958 when Nissin unveiled Chicken Ramen, the very first instant version of the country’s favorite noodle dish. In celebration, we were going to chow down on some instant ramen, but since we do that all the time anyway, somehow a bowl of plain ramen didn’t seem quite special enough.
So instead, we drew on our love of anime, world travel, and the simple joy of not sweating profusely to come up with four recipes to spruce up instant ramen, specially tailored to be simple enough for anyone whose cooking skills mean their home is always well-stocked with the stuff.
As veteran anime producer Toshio Suzuki continues to dance back and forth over the vague linguistic line of whether or not Studio Ghibli is getting out of the movie-making business, some distraught admirers can already see the vultures circling overhead. If this is the end of the line for Japan’s most revered animation house, it’s a sad day, but at least the format of Ghibli’s releases means there aren’t many loose narrative threads left dangling.
With the exception of 1993’s Ocean Waves, Ghibli’s commercial releases have all been theatrical features, most of which have a definite beginning, middle, and end. For the most part, the studio doesn’t really do sequels, since their films’ endings are just conclusive enough to satisfy fans while still leaving enough unanswered for them to comfortably mull over.
There is one big exception to this pattern, though, which is Hayao Miyazaki’s Nausicaa of the Valley of the Wind. For decades fans have been hoping for a continuation, and recent remarks by Suzuki are adding more credibility to rumors that such a project could be directed by Evangelion’s Hideaki Anno.
It’s been over a year since the Japanese release of anime legend Hayao Miyazaki’s last film, The Wind Rises. A highly personal film which serves as a powerful closing statement to his storied career, many had hoped it would win Miyazaki his second Oscar, only for the nod in the Best Animated Feature category go to Disney’s juggernaut (and endorser of traditional Japanese cuisine) Frozen.
That doesn’t mean the Academy of Motion Picture Arts and Sciences has no love for Miyazaki, though, as it’ll soon be bestowing an honorary lifetime achievement award upon him.
Even though anime legend Hayao Miyazaki has been a household name in Japan for decades, his films are still a recent discovery for many foreign viewers. A common question from an enthusiastic newly formed Ghibli fan is to ask, “Which Miyazaki film should I show my friends and family to make them understand how amazing they are?”
It’s a tricky question to answer. For example, My Neighbor Totoro and Princess Mononoke are both incredible films that can evoke emotional responses far beyond what many adults expect from animation. The feelings the films stir, and the ways in which they do so, are extremely different though. It’s hard enough to pick one from just those two, let alone the 11 feature films for which Miyazaki served as director.
So perhaps the best plan isn’t to show the person you’re trying to convert one Miyazaki movie, but all of them, and thanks to one fan’s compilation video, it’ll only take nine minutes.
It’s been an emotional week for fans around the world after news broke about the possible closure of Studio Ghibli’s production department. Ghibli producer Toshio Suzuki thankfully cleared up some of the misconceptions out there, and while we’re still left with many unanswered questions, his words left us with a glimmer of hope that even the great Hayao Miyazaki himself may be back to make a short animated film in the near future.
Miyazaki himself has publicly stated that last year’s The Wind Rises would be his final feature-length film, even if he continues making short films after retirement. So how do you pay tribute to a man whose career spans decades and who created some of the most beloved movies around the world? Well, one fan’s idea to build Lego models of his famous characters and a bust of the master himself seems like a good start!
In a recent discussion about the future of the Studio Ghibli’s production division, veteran producer Toshio Suzuki recently shocked and confused anime fans worldwide. But hey, what do you expect when you’re talking about the most respected studio in the history of anime, and you bandy about talk of “dismantling,” “restructuring,” and “taking a temporary hiatus,” despite the very different implications each of those entails.
With so many people looking for clarification, Suzuki recently appeared on Japanese television to talk a little more about where Studio Ghibli is going from here, plus to tease and entice the audience with talk of legendary director Hayao Miyazaki’s potential next anime project.
Just a few weeks ago, When Marnie Was There, the newest anime movie from Studio Ghibli, hit Japanese theatres. Marnie is actually the second Ghibli release since legendary director Hayao Miyazaki retired from the company, but the first with a general, mainstream target market, as 2013’s The Tale of Princess Kaguya was a much more experimental, avant-garde film in visual style and tone.
Just as Miyazaki has stepped away from feature films, Ghibli producer and co-founder Toshio Suzuki is easing into retirement, and so many anime fans have been watching Marnie while looking for clues as to where Ghibli’s films would be going from here. Judging from statements made by Suzuki, though, the better question isn’t what kind of movies Ghibli will be making in the future, but whether the studio will be making any at all, as he feels that maybe it’s time for the Ghibli production team to close up shop.
The principal characters of Studio Ghibli’s Laputa: Castle in the Sky are all seeking something. Protagonists Sheeta and Pazu, as well as the villainous Muska, are looking for the titular floating castle, but what they’re really after is a peaceful resolution to a dark heritage, adventure and purpose, and the power to rule the world, respectively.
These days, fans of the 1986 anime film have a search of their own, as the voice-activated Laputa pendant that just went on sale this month is already sold out nationwide.
Some people have a hard time adjusting to life after retirement. Whether it’s the stockbroker who can’t stop checking the market reports or the English teacher who feels the need to correct his grandchildren’s grammar, sometimes old habits die hard.
Maybe that’s why even after announcing his retirement from making feature films, anime legend Hayao Miyazaki has been making frequent visits to Studio Ghibli, the production house where he served as director for so many years.
And by frequent visits, we mean that the guy is there every single day.
Totoro may be the most instantly recognizable Studio Ghibl character, but the exalted animation house has produced a far larger number of memorable heroines than cute critters. From warrior princesses to ordinary schoolgirls who defy anime conventions by actually being ordinary, almost every Ghibli film has had a woman as either its central or most important figure.
Each has her own claim to fame. Spirited Away’s Chihiro remains the studio’s highest-grossing leading lady, Arrietty its shortest, and Princess Mononoke’s San the most violent. Now, a recent poll has bestowed yet another title by asking fans which Ghibli character they’d like to have as a girlfriend.
For any serious anime fan making a trip to Tokyo, a visit to the Ghibli Museum should be at the top of their list. Not only is the design of the building bursting with subtle references to the works of esteemed director Hayao Miyazaki and his compatriots, the on-site theater also screens Ghibli shorts you can’t see anywhere else, such as the heart-warming follow-up to My Neighbor Totoro.
This summer, though, two more Tokyo museums are getting in on the act with special exhibits focusing on the architecture of Studio Ghibli plus artwork for the animation house’s newest film.













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