Director of Belle, The Boy and the Beast discusses how real-world events influenced the creation of his first post-pandemic anime.
Mamoru Hosoda
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Many would argue that Mamoru Hosoda is the most talented director of family anime in the industry today. That “family” classification is two-fold, by the way. Not only are Hosoda’s works appropriate for just about all ages, taking the high road by eschewing in-your-face sex appeal and gratuitous violence, the bond between family members is a recurring theme in his films. In 2009, Hosoda’s Summer Wars showed audiences an extended yet close-knit family headed by the female lead’s tough yet kind grandmother. Three years later, the focus was on a single mother raising two lycanthropes in rural Japan in Wolf Children Ame and Yuki.
Now, Hosoda is turning viewers’ gaze towards a relationship he hasn’t put the spotlight on before, with the just-released The Boy and the Beast, which asks what a boy needs to learn from his father, and also what that father can learn from his boy. So how does it answer those quesitons? Read on for the rest of our review of Hosoda’s latest hit to find out.
Mamoru Hosoda‘s The Boy and The Beast film debut at #1 during the July 11-12 weekend, topping the Japanese debut of Terminator Genisys. The Boy and The Beast opened on 457 screens, and earned 667,035,100 yen (about US$5.4 million) in its first two days. The film sold 494,170 tickets over the weekend.
With Studio Ghibli co-founder Hayao Miyazaki now retired from feature-length animation, there’s a marked lack of current anime directors with a proven track record of successful theatrical releases. While he hasn’t officially ruled out making any more anime, Ghost in the Shell director Mamoru Oshii has his hands full with the live-action Patlabor adaptation, and both Satoshi Kon and Osamu Dezaki, directors of Perfect Blue and Space Adventure Cobra, have sadly passed away.
As such, the lion’s share of expectations for theatrical anime fall to Mamoru Hosoda, the director responsible for The Girl Who Leapt Through Time and Summer Wars. Hosoda’s last film was 2012’s Wolf Children, but now he’s back in the director’s chair again with a new movie scheduled for release next year.
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