Coming off mixed reviews of his live-action Attack on Titan film, fans may recall that Shinji Higuchi is also tasked with directing TOHO‘s upcoming Godzilla film with fellow tokusatsu lover Hideaki Anno. Helming the first Japanese Godzilla film in 12 years is no small feat. In fact, Higuchi almost turned down the offer because of the sheer amount of pressure that comes with directing such an iconic monster.
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Box Office Mojo reports that Funimation‘s limited theatrical run of the Dragon Ball Z: Resurrection ‘F’ film earned US$1,967,626 on its opening night on Tuesday. That gives the film a per-screen average of US$2,198, the highest among the top 10 movies playing in the United States on August 4.
If you’re an anime purist, you’ve probably watched at least one title with a localization choice that rubbed you the wrong way. Maybe you were irked by Sailor Moon’s Usagi being called “meatball head” on American T.V. instead of “dango/dumpling head.” More recently, you might have wondered why Doraemon’s central family ditched all their chopsticks and now eat their Japanese food with forks in their U.S. appearances.
But localization runs in the other direction, too, and it’s just come to light that Pixar has altered part of the artwork in several scenes of Inside Out solely for the film’s Japanese release.
If you’ve seen Disney’s Big Hero 6, you know that the film’s most memorable character, marshmallowy medical helper/combat robot Baymax, spends about half of his screen time being awesome, and the other being adorable. In one of the best examples of the latter, he becomes a mattress for his exhausted friends, letting them lean into his soft, cushioned body during a brief respite during the bumpy transition to their new lives as superheroes.
If you’re feeling similarly worn out after a hard day, you’ll be happy to know that, just as the trailer for the film promised, Baymax has your back…or your front, or your side, depending on how you sleep, in the form of this amazingly heart-melting semi-posable Baymax bed.
Awesome as Godzilla may be, in most of his best-loved appearances it’s pretty easy to tell that the world’s most famous kaiju is being portrayed by a guy in a rubber suit. What’s less obvious, though, is how the creature’s unmistakable roar was created, and it turns out there’s actually a rather high-brow origin to the King of the Monsters’ signature sound effect.
Aomori Prefecture’s legendary Nebuta Festival – which takes place in early August every year – has always been one of those big festivals on my Japan bucket list.
Even though the festival is one of the prestigious few festivals to receive the staggeringly long designation of Important Intangible Folk Cultural Property of Japan, we’re willing to bet the festival is largely overlooked by Western visitors. This is, probably, largely due to Aomori’s fairly remote location; it’s a real pain to get to from Tokyo, Osaka or any of the other major cities outside of Sapporo.
But then, what if that wasn’t the biggest reason foreigners aren’t totally aware of this great festival? What if the real reason was the festival’s lack of Star Wars characters?
Luckily, whether or not that’s the real case, that sore lack of Star Wars characters at the Aomori Nebuta Festival is going to change this year.
Depending on the genre, a well-made movie can have you howling with laughter, thrilled by the on-screen action, or feeling cleansed after a cathartic cry. But while those are all enjoyable enough, every now and again you run into a film that affects you on a deeper level by helping to teach you some inevitable facet of life itself.
We recently made a trip to the theater to watch Mad Max: Fury Road, and since then every time we look up at the night sky, we’ve been reminded of the certainty that one day we’ll all be living in a dystopian wasteland. In preparation, we’ve already started stockpiling water and canned goods, and now we’ll be able to tour the wastelands in style with our customized Mad Max-style Yamaha three-wheeled motorcycle.
It’s quite the summer of 90s nostalgia at the movies this year. Just this past month we had a new Jurassic Park movie, an original Pixar movie, and next month is bringing us the latest Terminator outing in the form of Terminator Genisys.
Anticipation for the film has been high in Japan, but one group you may not expect to be fans of machines killing each other seems to have taken a special liking to it. The Japanese National Bunraku Theater took the poster for the Terminator movie and transformed it into an advertisement for their traditional puppet theater, making it one of the most confusing yet oddly satisfying collaborations we’ve ever seen.
Japanese horror films are their own special brand of awesome. Movies like The Ring and The Grudge will sometimes make you roll your eyes with their cheesy acting and special effects, but at the same time contain certain horrifying scenes that will stick with you in your nightmares for weeks to come.
The latest installment in The Grudge series, Grudge: The Final has just come out in Japan, advertised by commercials airing all over. However, one commercial received so many complaints about it being “way too scary” that it was taken down and replaced with something more tame.
Are you brave enough to watch the original commercial? Then read on to get your chance.
The second Attack on Titan theatrical feature has been a long time coming, but the film, subtitled The Wings of Freedom, is finally opening in Japan this month. Since the movie is a condensed version of the second half of the anime TV series, there probably won’t be too much in the way of new plot developments. What audiences can look forward to, though, is a movie experience augmented by moving seats, gusts of wind, and other awesome effects.
If you were just looking at the clock and smiling because you’ve reached the end of your workweek, but have since switched to frowning and looking at the Tokyo weather report (clouds or rain all week long), cheer up, because it just so happens there’s a great indoor event going on.
Short Shorts Film Festival & Asia 2015 kicked off earlier this week, and until June 14 will be showcasing the works of talented short film makers from around the globe at venues in Tokyo and Yokohama. Best of all, admission is free, and today we’re taking a peek at some of the festival’s amazing computer animated shorts that are screening this weekend.
There are only so many hours in a day, which means all the time you devote to listening to Japanese girls’ rock bands or learning a half-dozen ways to says “breasts” in Japanese means less time for soaking up mainstream American pop culture. As a result, I’ve got some pretty big gaps in my Hollywood movie-watching history, but at least I know their basic plots because they’ve been talked about and referenced elsewhere so much.
For example, I know Titanic is about an elderly woman fondly remembering some dude she hooked up with on a cruise 70 years ago, who was apparently so good in the sack that she has no time on her deathbed to remember her children or the man who fathered them. Forest Gump is about remarkably patient bus travelers who are willing to listen to the life story a complete stranger because of his vague promises of giving them chocolate at some point.
And Toy Story, as I can infer from these Tokyo Disneyland photos, is about how a humble cowboy and abrasive astronaut learn to overcome their differences and become pals when one gives the other a hand job, right?
You could make a long list about all the ways Japan is uniquely awesome (and as a matter of fact, we just did), but it’s not like every aspect of life in Japan is more enjoyable than in other countries. For example, taking care of paperwork at city hall or other government facilities is as boring as it is anywhere else in the world.
So why is it that this week people have been voluntarily visiting the Shinjuku ward office in the heart of Tokyo? Because they want to get a copy of the official residency document of the district’s newest resident, Godzilla!
Superhero movies mean big business for toy makers, and whenever Marvel releases a new movie, a slew of action figures are made to fulfill everyone’s toy needs. There are the cheap small figures that anyone of any age can play with, and there are also the larger, more expensive, but extremely poseable figures for those who want to seriously play. Then there are the really expensive versions that boast incredible detail and size. This Hulkbuster is one of those ones.
Many toy makers are producing their own version of the Hulkbuster from Avengers: Age of Ultron, but Bandai is taking its time and attaching all the bells and whistles including LEDs and real metal parts.
Sekai no Owari is one of the most popular groups in Japan right now. The clown-faced, top hat-wearing rock band is managing to thrive in a Japanese music industry saturated with seemingly endless three-letter-48-style girl groups.
So what better to combine with one of the most popular music groups than one of the most popular manga/anime, Attack on Titan? It was just recently announced that the upcoming live-action Attack on Titan movies will feature two original Sekai no Owari songs produced specially as theme songs for the films.
By giving people a voice that can reach anyone else in the world, the Internet can be a powerful tool for change. Online petitions can draw attention to, and offer solutions for, issues that negatively impact us all, such as unjust laws and inappropriate use of public funds.
And also, as one displeased Digimon fan is doing, call for changes to anime character designs we don’t like the look of.
Avengers: Age of Ultron has been a huge hit all over the world, and with ticket sales recently passing US$1 billion, it seems that everyone has been flocking to cinemas to find out how old Ultron really is. Not in Japan though, with the movie – typically late – set to be released on July 4, Avengers fans are desperately trying to avoid spoilers, but also would love to join the rest of the world in seeing the movie.
But fear not, Japanese Avengers fans; this post contains no spoilers so you can click on through and get a look at what the Avengers would look like if they were participating in a Beijing fashion show.
Not so long ago, being a Japanese idol singer was purely a domestic gig, with even the biggest stars of the genre remaining more or less unknown outside their home country. But thanks to the spread of Japanese pop culture around the world over the last decade and a half, that’s not really the case anymore. These days, it’s not uncommon for J-pop idols, especially those with an anime connection to boost their foreign exposure, to make appearances overseas.
Now, in a case of animated art imitating life, the high school idols of Love Love!, Japan’s biggest current idol anime hit, will be heading abroad as the upcoming Love Live! theatrical feature has been announced for international release.
Many Japanese animation fans can rattle off a list of the animation directors or character designers they admire, but the visuals are only half of the way anime stimulates the senses. For everything that you’re hearing during your favorite show, you can thank the sound director.
It’s a role Kazuhiro Wakabayashi has been filling for decades, and we recently sat in on a talk the industry veteran gave about the unique challenges a sound director faces, what it’s like to work with some of the biggest names in Japanese animation, including Studio Ghibli’s Hayao Miyazaki and Ghost in the Shell’s Mamoru Oshii, and the surprisingly deep human element of creating the audio environment for a fictional world.
With Digimon Adventure tri. representing the first new animation for the franchise since 15 years ago, fans whose passions for the series has continued burning bright for the last decade and a half were no doubt excited by the announcement of the new movie series. But being passionate doesn’t always mesh with being easy-going, and some fans who aren’t enjoying the new art style have taken it upon themselves to redo tri.’s as-yet released visuals in the manner of the original Digimon Adventure. Along the way, they’re also giving more relaxed animation fans an eye-opening lesson in how razor-thin the difference between acceptable and “f***ing disgusting” can be in the eyes of some long-term Digimon fanatics.