Traditional accommodation in Tokyo’s ritzy Minato Ward doesn’t get much cheaper than this…but there’s a catch.
reviews
HodoBuzz shines a spotlight on women in the media with a cast of characters that redefines what it means to be Japanese.
As you probably know, Attack on Titan, the mega-popular manga and anime series, was recently adapted into a live-action movie and infamously received absolutely horrible reviews—it might be a toss-up between this movie and Fantastic 4 as to which summer blockbuster was worse. For its part, the Attack on Titan movie was so horrible that one Japanese critic hoped for the titans to eat the characters and be done with the whole thing. No one is asking Dr. Doom to eat Mr. Fantastic…yet.
As they say though, you shouldn’t judge something till you see it for yourself, so we had to send one of our own.
Many would argue that Mamoru Hosoda is the most talented director of family anime in the industry today. That “family” classification is two-fold, by the way. Not only are Hosoda’s works appropriate for just about all ages, taking the high road by eschewing in-your-face sex appeal and gratuitous violence, the bond between family members is a recurring theme in his films. In 2009, Hosoda’s Summer Wars showed audiences an extended yet close-knit family headed by the female lead’s tough yet kind grandmother. Three years later, the focus was on a single mother raising two lycanthropes in rural Japan in Wolf Children Ame and Yuki.
Now, Hosoda is turning viewers’ gaze towards a relationship he hasn’t put the spotlight on before, with the just-released The Boy and the Beast, which asks what a boy needs to learn from his father, and also what that father can learn from his boy. So how does it answer those quesitons? Read on for the rest of our review of Hosoda’s latest hit to find out.
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