Last month, we posted an article capturing the changes in anime art style over time. These adjustments in overall style can come on so slowly, but when laid out side-by-side, they become so blatantly apparent, it’s amazing that such a large breadth of drawing styles could all come under the umbrella of Japanese anime. It would seem that with every passing decade there comes an attraction to a different art style.
In the special interest magazine, Febri volume 19, there is an interesting report called Portrait of a Modern Otaku, which classifies these trends in popular Japanese anime according to “generations,” starting with Space Battleship Yamato and all of its fans falling into generation one. Generation two is represented by Gundam, while fans born of Evangelion and erotic dating simulators belong to generation three. Today’s twenty-somethings likely identify with the fourth generation of fans frontlined by The Melancholy of Haruhi Suzumiya. And finally, the youngest bunch, teenagers and below are classified together with none other than Kagerou Project.
But wait. How could it be that an offshoot of Vocaloid, the computer voice simulator, is the poster child for this most recent generation of otaku? The development of Vocaloid fandom itself, holds the answers.